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With the all of the VST synthesizers I have, I can't seem to find the 'ever so common' 'Crack / Whip' sound that is so often used as a percussive Hit in rock music. Does anybody know of 1) a VST synth that has a preset for this. OR 2) a patch that I can buy? 3) or a You tube video that would show me now to create this sound? Examples: the whip sound. At 50 seconds. At 20 seconds.

More of a clap / hit. My VST synths are Massive, Omnishpere and others. I have been working through Syntorial (great synth programing tutorial - highly recommend), and am feeling a little beter about synth programming and will probably make a stab at creating these sounds from scratch. But I am surprised that these percussive hits are not part of most soft synths factory patches. Maybe I am looking in the wrong place. If anybody has some quick insight it would be appreciated. At least with the Devo song ('Oh that Alan'.), I hear two sounds.

Originally part of the Korg Legacy Collection: Digital Edition the M1 is now available individually. Korg is able to offer all of the original sound data.

One is the white noise ramp up (the 'whoosh' of the moving whip) and the other is a hand clap (the 'crack' of the whip). For the first part, I'd use noise as oscillator source and the whole trick is adjusting the attack portions of the filter and amp envelopes for the proper ramp up.

The second part is any kind of clap sound. Back in the day we actually had a Simmons 'hand clap' module that could be triggered by footswitch, tuned in pitch etc.

You must have a sample in one of your soft synths that can serve as a starting point. Unlike an 'explosion' patch, you'll want enough HF contact for it to actually sound like a 'crack'. Depending on how many 'voices' are possible in one of your patches, you should be able to combine both into one patch, I'm guessing. I often use sounds somewhere between a 'crack' and a 'clap', using Microtonic (drum synth plugin). I use the noise source, bandpass filter with Q around 1-2 or so, centered around 1k-3k or so, and decay adjusted to taste (40-100ms or so). Sometimes I mix in the oscillator modulated by noise so the dominant frequency range is a bit lower than the center of the noise source filter.

I'm sure you could come up with something similar with Massive. For a whip sound, maybe you could throw the crack sound into an editor and paste a reversed copy of it at the beginning.

Off the top of my head. I have no idea how good that would actually sound. Take one of those bags made of heavy paper, that are used for bread or sweets. The bigger and heavier, the better. Connect a microphone, and start your recorder. Hit the paper from different angles and with different materials, including your fingers.

Later, choose the best hits, layer a snare drum hit, or a clap, or anything that could enhance the 'hit' effect. Apply the appropriate reverb. For the 'pre-tail' (the whip whoosh), you could use noise modulated with a filter envelope, and build a further layer.