Get a low price and free shipping on. Free Rip Software For Epson 1430. Of the sound that the Butch Vig Vocals plugin. 00','name':'Butch Vig Vocals Native Software Download. Buy Waves Butch Vig Vocals - Vocal Processing Plug-In (Native/SoundGrid, Download) featuring Butch Vig's Signature Vocal Sound, Compressor and De-Esser Tube and Solid. Mar 18, 2015 Waves Release Butch Vig Vocals Plug-in. Avid Pro Audio Community. In the coming weeks and will be available as a free download.

Hey, what’s up, guys? David Glenn of davidglennrecording.com and theproaudiofiles.com.

Today, I’m coming at you with a video to talk about vocals, and even more specific, Waves has introduced the Butch Vig vocals plug-in, and I jumped all over it and took advantage of the discount introduced at $99 instead of $150. I pulled it open just about 5 minutes before going live with this video, and was putting it through it paces to try and get familiar with it, and I really like it. So I think I will be finding myself using this, but more important than getting a plug-in like these and the Waves signature series is to understand it and break down the different modules and know what you’re doing and why you’re doing it, so I figured a tutorial would be a good idea to kind of break the plug-in down and show you a comparison of my plug-in chain that’s been adapted from the Dave Pensado method. You can catch that on his ITLs.

Then I’ll show you with nothing but the Waves Butch Vig vocals plug-in, and let you hear for yourself the comparison, and then we’re going to go even further in depth into a part two, where I’m going to break down the different modules and show you stock plug-ins and free plug-ins that you can use to accomplish similar techniques so that you can really break down and understand what’s going on, before you go to just pulling up presets and doing your thing. If you’re interested in that, stay tuned. We’re going to jump right in. First things first, I’ve got a song called “I Don’t Know,” which we’re featuring at themixacademy.com right now. If you want to get your hands on this, go check out themixacademy.com, and you get the multi-tracks and all of my tutorials behind making this one. The artist is Nolan Garrett, so I want to give a shoutout to him.

Give him a link in the description below. More of that to come, but right now, we’re going to hit play, and take a listen to how I’ve got the vocal mix, and this is going through my chain. I’ve got the VMR EQ, multi-band, all kinds of stuff happening here, and I’m going to show you what that sounds like. So here’s that.

[music] Okay. So, there’s my quick mix of it, and then what I’ve got up here is the Butch lead, I’ve called it for Butch Vig. Qwel Qweloquiallisms Lyrics. Then I’ve got nothing but his plug-in on this track. The sends here, I’m going to actually bypass those for a quick second, and they’re the same sends from down here. A little chorus, a little UAD mono-dimension D, and then I’ve got some delay. I’m going to bypass those effects, and I’m going to solo my vocal processing.

So right now, you’re going to hear my vocal in solo, and then I’m going to switch, and I’m going to unmute my Butch lead, and we’re going to hear the difference between the two. Before I started the video, I just kind of dialed in some tones to feel it out and see what I liked and didn’t like, and there wasn’t anything I didn’t like other than lack of control on a couple of features, but let’s take a listen and see what the difference is.

Ryuichi Sakamoto Download Free. Here’s my vocal processing. [vocals] Okay, and then here’s Butch.

[vocals] Okay. Pretty close, right? I think the only thing I really hear is I could use some more compression, a little bit of extra oomph from it to kind of clean up the dynamic range there, but not bad, right? So the only thing going on is the Butch Vig plug-in, which is pretty sweet. I’m going to break this down, I’m going to reset all the parameters, and mix it in front of you, but first what I want to do is I want to show you in context of the song and these effects.

So, let’s come down here and put these back in, and here is – we’re going to start out with my processing, and that’s got a parallel chain, so all kinds of stuff. You want to learn more about this process, you can go to mixingvocals.com and check that out, but here is this in the mix, and then I’m going to quickly switch between the two. [song plays, alternating vocals] Okay, so I try to keep that switching between the two in alike phrases so you can hear. Really, the only thing that I would say is I could really just use an extra little bit of a layer of compression, which I’ve got this one pushed almost all the way up. Maybe if I do just push it all the way, it’ll get that “in our face” tone I’m going for here.