Abstract Beginning with the observation that young adult literature has been the subject of ethical criticism from multiple sides of the ideological spectrum and drawing on Roberta Seelinger Trites’s argument that this body of work is a postmodern phenomenon, this article interrogates whether young adult literature is a morally compromised genre from the start or whether there is not a morally constructive framework through which young adult novels might be viewed productively. Using the first novel of Suzanne Collins’s Hunger Games trilogy as a case study, this paper proposes a heuristic that borrows from the postmodern (or “liquid modern”) ethics of sociologist Zygmunt Bauman.

Bauman, who interprets Emmanuel Levinas’s “ethics of ethics” as a descriptive, phenomenological, existential exercise, rejects absolutes in favour of process and an emphasis on the urge to “be-for” the Other. Through the lens of Bauman’s ethics, this paper analyzes Katniss Everdeen’s journey as a processual one, toward the end of an active moral urge.

This section needs additional citations for. Unsourced material may be challenged and removed. (March 2017) () In the late 1980s and early 1990s Bauman published a number of books that dealt with the relationship between modernity, bureaucracy, rationality and social exclusion.

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Bauman, following, came to view European modernity as a trade off: European society, he argued, had agreed to forego a level of freedom to receive the benefits of increased individual security. Bauman argued that modernity, in what he later came to term its 'solid' form, involved removing unknowns and uncertainties. Wyko Vision 32 Software. It involved control over nature, hierarchical bureaucracy, rules and regulations, control and categorisation — all of which attempted to remove gradually personal insecurities, making the chaotic aspects of human life appear well-ordered and familiar.